DISCLAIMER: All rights reserved to the production companies and music labels that distributed and produced the music and performance respectively. I've only added the footage as a tribute for historical, entertainment, and creative purposes with no financial gain. Copyright infringement not intended. This is The Harptones on Rama, 1956 "That's The Way It Goes." This is the flip side of "Three Wishes." For a 6-Part Harmony, this is the best it gets! If you notice, the digitally re-mastered version of this song that is now found on most CD's, the bass note, in the beginning of song that hits just right after the piano solo, is attenuated, not to mention, just right @ the end of the song, during the chorus, there is tape fluctuation that starts from the left channel, then floats to the right. As far as the tape fluctuation, this is a given, because these master tapes have been locked in a air-tight (or supposed to be air-tight) vault, tape deteriorates over time so there is no preventing this. During the mastering process back in 1956, the recording engineers over-exaggerate the bass note & did this on purpose because the 78's had the ability to record this information, one, because monophonic recordings were only one channel & have more dynamic range, & two, the speed of the 78 RPM disc was able to more accurately re-create the bass notes along with the fact that the needle/groove ratio is wider, thus better frequency response & better transients. Billy Brown was the one ...
Tags: 1950's, R&B, ilbmlb, 51 The Harptones - That's The Way It Goes Rama 203 B Tube. Duration : 2.73 Mins.
DISCLAIMER: All rights reserved to the production companies and music labels that distributed and produced the music and performance respectively. I've only added the footage as a tribute for historical, entertainment, and creative purposes with no financial gain. Copyright infringement not intended. This is The Harptones on Rama, 1956 "That's The Way It Goes." This is the flip side of "Three Wishes." For a 6-Part Harmony, this is the best it gets! If you notice, the digitally re-mastered version of this song that is now found on most CD's, the bass note, in the beginning of song that hits just right after the piano solo, is attenuated, not to mention, just right @ the end of the song, during the chorus, there is tape fluctuation that starts from the left channel, then floats to the right. As far as the tape fluctuation, this is a given, because these master tapes have been locked in a air-tight (or supposed to be air-tight) vault, tape deteriorates over time so there is no preventing this. During the mastering process back in 1956, the recording engineers over-exaggerate the bass note & did this on purpose because the 78's had the ability to record this information, one, because monophonic recordings were only one channel & have more dynamic range, & two, the speed of the 78 RPM disc was able to more accurately re-create the bass notes along with the fact that the needle/groove ratio is wider, thus better frequency response & better transients. Billy Brown was the one ...
Tags: 1950's, R&B, ilbmlb, 51
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